OS with Artists

[Pat Black]

Dear Josef
You might want to communicate with Bill Cleveland.  His email is
http://www.artandcommunity.com/index.html.  He uses open space working with
artists and communities to do what you have described. I have found him to
be quite skilled working with open space and committed to creating the
environment you have described.  He is a muscian himself. He is not on this
list to my knowledge but has a email connect on his website.  I think you
will find him quite knowledgeable, committted and successful at achieving
what you have described.  There is a post somewhere in the archives that
Harrison posted from him.  Good luck.
Pat Black

On 8/24/06, joralt <joralt at netvision.net.il> wrote:
>
>  Dear Kerry
>
>
>
> So far my experience is quite frustrating as the level of skepticism in
> this region towards anything inclusive and open is rather high.
>
> When I search the web, there is very little activity that's going on and a
> recent symposium that was held on the subject of the current affairs in the
> field of the visual arts, was held in the usual "know it all experts" style,
> "explaining" the problems to the community of artists, who were sitting
> quietly and listening to what those "experts" have to say.
>
> Still, I believe that a good idea like OS will eventually prevail given
> some time to familiarize with the concepts.
>
> Thanks for sharing.
>
> Josef
>
>
>
> Josef Ralt
>
> mobile:972528000278
>
> home:97236821621
>
> http://www.flickr.com/photos/joeralt
>
> -----Original Message-----
> From: OSLIST [mailto:OSLIST at LISTSERV.BOISESTATE.EDU] On Behalf Of kerry
> napuk
> Sent: Thursday, August 24, 2006 8:29 AM
> To: OSLIST at LISTSERV.BOISESTATE.EDU
> Subject: Re: OS with Artists
>
>
>
> Hi Josef
>
>
>
> Open Futures did a series of events with the Scottish Arts Council.
>
> In fact my first  event was with 175 people to look at the future of
>
> the theatre sector.    It worked because the whole system (actors,
>
> directors, administrators, companies across Scotland, funders and the
>
> media) was in one room - a trolly shed converted into a gigantic
>
> gallery.
>
>
>
> The group established a new set of priorities including children's
>
> theatre, which the Council wanted to promote but did not know how to
>
> do.  While the event was in 1997, people still talk about the change
>
> that took place.
>
>
>
> So, if you can get everyone who has an interest and stake in "the
>
> artistic community," they will identify their key issues and find
>
> ways to deal with them.
>
>
>
> Good luck!
>
>
>
> Kerry
>
> Edinburgh
>
> www.openfutures.com
>
>
>
> *
>
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