This story and video by Paul Schaffer and Sammy Davis, Jr. seems deeply related to the OPen Space practice of music, improvization, showing up with your talent/passion, "letting it happen" within rhythm structures, using all your experience and knowing the power of collaboration. This video made me cry. What a life, what a gift, what a moment that happened only once just that way.<br><br>---------- Forwarded message ----------<br>From: <b>delanceyplace</b> <<a href="mailto:daily@delanceyplace.com">daily@delanceyplace.com</a>><br>Date: Wednesday, June 3, 2015<br>Subject: #9 -- take your time -- 6/3/15<br>To: <a href="mailto:skyeh@autognomics.org">skyeh@autognomics.org</a><br><br><br>
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<table border="0" width="100%" cellspacing="0" cellpadding="20"><tbody><tr><td style="color:#000000" rowspan="1" colspan="1"><em><strong>We are celebrating our ten year anniversary! All month we will be sending Delanceyplace.com encores that our subscribers picked as their favorites, starting with the top ten Delanceyplace.com excerpts. Thanks for reading and enjoy!<br></strong></em><br><div style="text-align:center" align="center"><span style="font-size:14pt"><strong>NUMBER 9</strong></span><br><br></div><div>In today's <strong>encore</strong> excerpt -- from <em>We'll Be Here For the Rest of Our Lives: A Swingin' Show-biz Saga</em> <span>by Paul Shaffer. For those who are already expert at their craft there are perils to rushing or over-rehearsing. Here Paul Shaffer frantically tries to reach Sammy Davis Jr. to select a song and schedule rehearsal before his appearance on the David Letterman show:</span></div><div><span><br></span></div><p style="margin-top:0px;margin-bottom:0px">"Every <span>time</span> I called [Sammy Davis Jr. to try and select a song or discuss rehearsal] he was either working or sleeping. He never did return my calls. The morning of the show I was feeling some panic. Sammy was flying in, and we still didn't know what he wanted to sing. At 10 a.m., the floor manager said I had a backstage call. It was Sammy calling from the plane.</p><p style="margin-top:0px;margin-bottom:0px"><br> " 'Once in My Life' will be fine, Paul' he said. 'Key of E going into F.'</p><p style="margin-top:0px;margin-bottom:0px"><br> " 'Great!' I was relieved. I was also eager to work out an arrangement. ... We whipped up a chart, nursed it, rehearsed it, and put it on tape. That way when Sammy arrived, he could hear it. Then another backstage call. Sammy's plane had landed early, and he was on his way over. When I greeted him at the backstage door with a big 'We're thrilled you're here' I was a little taken aback. He looked extremely tired and frail. He walked with a cane.</p><p style="margin-top:0px;margin-bottom:0px"> </p><table width="300" cellpadding="0" cellspacing="0" align="left"><tbody><tr><td style="padding:5px;color:#000000" width="1%" rowspan="1" colspan="1">
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</td></tr></tbody></table> " 'We have an arrangement, Sam. You can rehearse it with the band.'
<p style="margin-top:0px;margin-bottom:0px"> </p><p style="margin-top:0px;margin-bottom:0px">" 'No need, baby. Gotta conserve my energy. I'm just gonna go to my room and shower.'</p><p style="margin-top:0px;margin-bottom:0px"> </p><p style="margin-top:0px;margin-bottom:0px">" 'I wanna make it easy for you. So I'll just play you a tape of the arrangement on the boom box. That way you'll hear what we've done and tell me if it's okay.'</p><p style="margin-top:0px;margin-bottom:0px"> </p><p style="margin-top:0px;margin-bottom:0px">" '<span>Man</span>, I know the song.'</p><p style="margin-top:0px;margin-bottom:0px"> </p><p style="margin-top:0px;margin-bottom:0px">" 'I know, Sam,' I said, 'but what if you don't like the chart?'</p><p style="margin-top:0px;margin-bottom:0px"> </p><p style="margin-top:0px;margin-bottom:0px">" 'I'll like it, I'll like it.'</p><p style="margin-top:0px;margin-bottom:0px"> </p><p style="margin-top:0px;margin-bottom:0px">" 'But what if the key's not right?'</p><p style="margin-top:0px;margin-bottom:0px"> </p><p style="margin-top:0px;margin-bottom:0px">" 'Okay, if you insist.'</p><p style="margin-top:0px;margin-bottom:0px"> </p><p style="margin-top:0px;margin-bottom:0px">"I slipped the cassette in the boom box and hit 'play.' To my ears the chart sounded great. Sammy closed his eyes and, in Sammy style, nodded his head up and down to the groove. He smiled.</p><p style="margin-top:0px;margin-bottom:0px"> </p><p style="margin-top:0px;margin-bottom:0px">" 'It's swinging <span>man</span>,' he said 'but think of how much more fun we could have had if I hadn't heard this tape.'</p><p style="margin-top:0px;margin-bottom:0px"> </p><p style="margin-top:0px;margin-bottom:0px"><span>"His words still resonate in my ears; the notion still haunts me. Sammy swung that night but as he was performing I couldn't help thinking that his carefree feeling about time -- as opposed to my lifelong notion of the pressure of the time -- was coming from a higher spiritual plane. As a musician, I've always thought I rushed. I still think I rush. The great players never rush. It reminds me of that moment when I watched Ray Charles turn to his guitarist, just as the young guy was about to solo, and say 'Take your time son. Take your time.' "</span> </p><p style="margin-top:0px;margin-bottom:0px"> </p><div align="center"><a shape="rect" href="http://r20.rs6.net/tn.jsp?f=001EqLpVXOZP4J2J9lxF--BmsaNsVDOpZopoSrydJtetnRKLDKlhyWfkjEIZpwIzzTkEgJSWwaZz6e1Q3J2C7iKyklyxpw_jFuKIz_akpdrJEoHZz86HNBFaNGHDyN5gPIWYNFmpyJ1q8aB55oVyBNqIjow5_g4Lm890TtS559YaQSGP5We4lu3-4NdwXB_V2J6NHUA651uTUyBnnTAAFUfm5LVFWwDa858aW84tR0RK4uWS-KvVro0CzD4DY6kfYI9w8FRw1v_gPneceh7HA_gNa0Q-Pu-MgWgcOmyhTUh74oIsAvi_gg8gsGcoRCpaYVbXr2YUknIspEcmj5x8pnjUFUt30GaXIj-oI80m3wh42RwHOv4BJcYHpBEQkVDt-0ImgjQY9BSE4K_C3pZ1kJVfu2Qa0gYA54DWRBp0n700XDsKPTW1EqfM6hm-yhferl4&c=9p8PAfqGR7HinW_c7R2V4eeQXJXWl2qPPW_bf_1g2gmdh6ErH8rX3w==&ch=R7SIDYFRJkfqccIwN2PfaG9uJ3sorSMqQn20Q4-OpC0e3rEdbF8a8g==" alt="http://www.amazon.com/Well-Here-For-Rest-Lives/dp/0385524838%3FSubscriptionId%3D0DK6RX2SNSBPXDSWSNR2%26tag%3Ddelaplac-20%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D0385524838" target="_blank"><img height="160" vspace="5" border="0" hspace="5" width="106" src="http://ecx.images-amazon.com/images/I/51o%2BSlVkRyL._SL160_.jpg" align="left"></a>
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<div><span style="font-size:12pt;font-weight:bold">We'll Be Here For the Rest of Our Lives: A Swingin' Show-biz Saga</span></div>
<div>
<div>Author: Paul Shaffer</div>
<div>Publisher: Flying Dolphin Press</div>
<div>Copyright 2009 Paul Shaffer Enterprises, Inc.</div>
<div>Pages 234-235</div>
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<br><br><br>-- <br><div dir="ltr"><div><div><b>Skye Hirst, PhD</b><br></div>President - The Autognomics Institute<br></div><div><i>Conversations in Radical Self-Knowing</i><br></div><div><a href="http://www.autognomics.org" target="_blank">www.autognomics.org</a><br></div><div>@autognomics <br><br></div><div>New Phone Number:<br>207-593-8074<br></div><div><br></div></div><br>