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<DIV><FONT face="Comic Sans MS" size=2>Hi Artur,</FONT></DIV>
<DIV><FONT face="Comic Sans MS" size=2></FONT> </DIV>
<DIV><FONT face="Comic Sans MS" size=2>I believe that it is indeed possible that
doing TWC first could have contributed to the freedom shock for some.
(That's why I said <FONT face="Times New Roman" size=3> It's possible that
the contrast heightened the shock.) It is possible that for others, it
reduced the shock.</FONT></FONT></DIV>
<DIV><FONT face="Comic Sans MS" size=2></FONT> </DIV>
<DIV><FONT face="Comic Sans MS" size=2>Ultimately, I think Harrison has the
right of it:</FONT></DIV>
<DIV><FONT face=Arial> freedom and the necessity of accepting the
responsibility of freedom is not the peculiar gift or requirement of OST,
it is just a fact of life. From this point of view, OST is only an opportunity
to practice what we all have to do anyhow. Some will do all that better than
others, some will enjoy it more, and others less -- but it remains a task of our
common humanity. The sooner we get on with it, the better.</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face="Comic Sans MS" size=2>For me, the choice to use TWC would
depend on other factors. For example, I've been in a situation where
speakers were already lined up and expected to speak. We used TWC to
provide for something beyond passive listening. For the Salon, the hosts
wanted people to experience multiple ways of coming together.</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>from sunny Seattle,</FONT></DIV>
<DIV><FONT face=Arial>Peggy</FONT></DIV></DIV></BODY></HTML>
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