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<DIV><EM><FONT face=Garamond color=#800080 size=4>From another list - It is
long. It is perfect. It speaks the unspoken. It whispers the
unspeakable. I offer a prayer of thanks for Robin
Morgan.</FONT></EM></DIV>
<DIV> </DIV><FONT face=Helvetica>From a woman poet-- Robin Morgan
(recipient of the National Endowment for the Arts Prize), founder of the
Sisterhood is Powerful Institute (an international womanist think-tank), author
of 14 books (including, a little over a decade ago, *The Demon Lover: On the
Sexuality of Terrorism*), the 1990 Feminist Majority Foundation Woman of the
Year, and the former editor-in-chief of Ms. Magazine.<BR><BR><B>³Week 1 : Ghosts
and Echoes²<BR></B> <BR> "In my humble opinion, non-cooperation with
evil is as much a duty as is cooperation with
good."<BR> --Mahatma
Gandhi<BR><BR>Dear Friends,<BR><BR>I'll focus on New York--my firsthand
experience--but this doesn't mean any less anguish for the victims of the
Washington or Pennsylvania calamities. Today was Day 8. Incredibly, a week has
passed. Abnormal normalcy has settled in. Our usually contentious mayor
(previously bad news for New Yorkers of color and for artists) has risen to this
moment with efficiency, compassion, real leadership. The city is alive and
dynamic. Below 14th Street, traffic is flowing again, mail is being delivered,
newspapers are back. But very early this morning I walked east, then south
almost to the tip of Manhattan Island. The 16-acre site itself is closed off, of
course, as is a perimeter surrounding it controlled by the National Guard, used
as a command post and staging area for rescue workers. Still, one is able to
approach nearer to the area than was possible last weekend, since the law-court
district and parts of the financial district are now open and (shakily) working.
The closer one gets the more one sees--and smells-what no TV report, and very
few print reports, have communicated. I find myself giving way to tears again
and again, even as I write this.<BR><BR>If the first sights of last Tuesday
seemed bizarrely like a George Lucas special-effects movie, now the
directorial eye has changed: it's the grim lens of Agnes Varda, juxtaposed
with images so surreal they could have been framed by Bunuel or
Kurosawa.<BR><BR>This was a bright, cloudless, early autumnal day. But as one
draws near the site, the area looms out of a dense haze: one enters an
atmosphere of dust, concrete powder, and plumes of smoke from fires still
raging deep beneath the rubble (an estimated 2 million cubic yards of debris).
Along lower 2nd Avenue, 10 refrigerator tractor-trailer trucks are parked,
waiting; if you stand there a while, an NYC Medical Examiner van arrives -with a
sagging body bag. Thick white ash, shards of broken glass, pebbles, and chunks
of concrete cover street after street of parked cars for blocks outside
the perimeter. Handprints on car windows and doors- handprints sliding
downward--have been left like frantic graffiti. Sometimes there are messages
finger-written in the ash: "U R Alive." You can look into closed shops, many
with cracked or broken windows, and peer into another dimension: a
wall-clock stopped at 9:10, restaurant tables meticulously set but now covered
with two inches of ash, grocery shelves stacked with cans and produce bins piled
high with apples and melons--all now powdered chalk-white. A moonscape of
plenty. People walk unsteadily along these streets, wearing nosemasks against
the still particle-full air, the stench of burning wire and plastic, erupted
sewage; the smell of death, of decomposing flesh.<BR><BR>Probably your TV
coverage shows the chain-link fences aflutter with yellow ribbons, the makeshift
shrines of candles, flowers, scribbled notes of mourning or of praise for the
rescue workers that have sprung up everywhere--especially in front of
firehouses, police stations, hospitals.<BR><BR>What TV doesn't show you is that
near Ground Zero the streets for blocks around are still, a week later, adrift
in bits of paper--singed, torn, sodden pages: stock reports, trading print-outs,
shreds of appointment calendars, half of a "To-Do" list. What TV doesn't show
you are scores of tiny charred corpses now swept into the gutters. Sparrows.
Finches. They fly higher than pigeons, so they would have exploded outward,
caught midair in a rush of flame, wings on fire as they fell. Who could have
imaginedit: the birds were burning.<BR><BR>>From a distance, you can see the
lattices of one of the Towers, its skeletal bones the sole remains, eerily
beautiful in asymmetry, as if a new work of abstract art had been erected in a
public space. Elsewhere, you see the transformation of institutions: The New
School and New YorkUniversity are missing persons' centers. A movie house is now
a rest shelter, a Burger King a first-aid center, a Brooks Brothers' clothing
store a body parts morgue, a record shop a haven for lost animals. Libraries are
counseling centers.<BR> <BR>Ice rinks are morgues.
A bank is now a supply depot: in the first four days, it distributed
11,000 respirators and 25,000 pairs of protective gloves and suits. Nearby, a
mobile medical unit housed in a Macdonald's has administered 70,000 tetanus
shots. The brain tries to process the numbers: "only" 50,000 tons of
debris had been cleared by yesterday, out of 1.2 million tons. The medical
examiner's office has readied up to 20,000 DNA tests for unidentifiable cadaver
parts. At all times, night and day, a minimum of 1000 people live and work on
the site.<BR><BR>Such numbers daze the mind. It's the details--fragile,
individual-that melt numbness into grief. An anklet with "Joyleen" engraved on
it--found on an ankle. Just that: an ankle. A pair of hands--one brown, one
white-clasped together. Just that. No wrists. A burly welder who drove from Ohio
to help, saying softly, "We're working in a cemetery. I'm standing in--not on,
in-a graveyard." Each lamppost, storefront, scaffolding, mailbox, is plastered
with homemade photocopied posters, a racial/ethnic rainbow of faces and names:
death the great leveler, not only of the financial CEOs- their images usually
formal, white, male, older, with suit-and-tie--but the mailroom workers,
receptionists, waiters. You pass enough of the MISSING posters and the faces,
names, descriptions become familiar. The Albanian window-cleaner guy with the
bushy eyebrows. The teenage Mexican dishwasher who had an American flag tattoo.
The janitor's assistant who'd emigrated from Ethiopia.<BR><BR>The
Italian-American grandfather who was a doughnut-cart tender. The 23-year-old
Chinese American junior pastry chef at the Windows on the World restaurant who'd
gone in early that day so she could prep a business breakfast for 500. The
firefighter who'd posed jauntily wearing his green shamrock necktie. The dapper
African-American midlevel manager with a small gold ring in his ear who handled
"minority affairs" for one of the companies. The middle-aged secretary laughing
up at the camera from her wheelchair. The maintenance worker with a Polish name,
holding his newborn baby. Most of the faces are smiling; most of the shots are
family photos; many are recent wedding pictures. . . .<BR><BR>I have little
national patriotism, but I do have a passion for New York, partly for our
gritty, secular energy of endurance, and because the world does come here: 80
countries had offices in the Twin Towers; 62 countries lost citizens in the
catastrophe; an estimated 300 of our British cousins died, either in the planes
or the buildings. My personal comfort is found not in ceremonies or prayer
services but in watching the plain, truly heroic (a word usually misused) work
of ordinary New Yorkers we take for granted every day, who have risen to this
moment unpretentiously, too busy even to notice they're expressing the splendor
of the human spirit: firefighters, medical aides, nurses, ER doctors, police
officers, sanitation workers, construction-workers, ambulance drivers,
structural engineers, crane operators, rescue worker, "tunnel rats". . .
.<BR><BR>Meanwhile, across the US, the rhetoric of retaliation is in
full-throated roar. Flag sales are up. Gun sales are up. Some radio stations
have banned playing John Lennon's song, "Imagine." Despite appeals from all
officials (even Bush), mosques are being attacked, firebombed; Arab Americans
are hiding their children indoors; two murders in Arizona have already been
categorized as hate crimes--one victim a Lebanese-American man and one a Sikh
man who died merely for wearing a turban. (Need I say that there were not
nationwide attacks against white Christian males after Timothy McVeigh was
apprehended for the Oklahoma City bombing?)<BR><BR>Last Thursday, right-wing
televangelists Jerry Falwell and Pat Robertson (our home-grown American Taliban
leaders) appeared on Robertson's TV show "The 700 Club," where Falwell
blamed "the pagans, and the abortionists, and the feminists and the gays and
lesbians ... the American Civil Liberties Union, People for the American Way"
and groups "who have tried to secularize America" for what occurred in New York.
Robertson replied, "I totally concur." After even the Bush White House called
the remarks "inappropriate," Falwell apologized (though he did not take back his
sentiments); Robertson hasn't even apologized. (The program is carried by the
Fox Family Channel, recently purchased by the Walt Disney Company--in case
you'd like to register a protest.)<BR><BR>The sirens have lessened. But the
drums have started. Funeral drums. War drums. A State of Emergency, with a
call-up of 50,000 reservists to active duty. The Justice Department is
seeking increased authority for wider surveillance, broader detention powers,
wiretapping of persons (not, as previously, just phone numbers), and
stringent press restrictions on military reporting.<BR><BR>And the petitions
have begun. For justice but not vengeance. For a reasoned response but against
escalating retaliatory violence. For vigilance about civil liberties. For the
rights of innocent Muslim Americans. For bombing Afghanistan with food and
medical parcels, NOT firepower. There will be the expectable peace marches,
vigils, rallies. . . . One member of the House of Representatives--Barbara Lee,
Democrat of California, an African American woman--lodged the sole vote in both
houses of Congress against giving Bush broadened powers for a war response,
saying she didn't believe a massive military campaign would stop terrorism. (She
could use letters of support: email her, if you wish, at <FONT
color=#0000ff><U>barbara.lee@mail.house.gov<<</U></FONT>.)<BR><BR>Those of
us who have access to the media have been trying to get a different voice out.
But ours are complex messages with long-term solutions-and this is a moment when
people yearn for simplicity and short-term, facile answers.<BR><BR>Still, I urge
all of you to write letters to the editors of newspapers, call in to talk radio
shows, and, for those of you who have media access-as activists, community
leaders, elected or appointed officials, academic experts, whatever--to do as
many interviews and TV programs as you can.<BR><BR>Use the tool of the Internet.
Talk about the root causes of terrorism, about the need to diminish this daily
climate of patriarchal violence surrounding us in its state-sanctioned normalcy;
the need to recognize people's despair over ever being heard short of committing
such dramatic, murderous acts; the need to address a desperation that becomes
chronic after generations of suffering; the need to arouse that most subversive
of emotions--empathy-for "the other"; the need to eliminate hideous economic and
political injustices, to reject all tribal/ethnic hatreds and fears, to
repudiate religious fundamentalisms of every kind. Especially talk about the
need to understand that we must expose the mystique of violence, separate it
from how we conceive of excitement, eroticism, and "manhood"; the need to
comprehend that violence differs in degree but is related in kind, that it
thrives along a spectrum, as do its effects--from the battered child and raped
woman who live in fear to an entire populace living in fear.<BR><BR>Meanwhile,
we cry and cry and cry. I don't even know who my tears are for anymore, because
I keep seeing ghosts, I keep hearing echoes.<BR><BR>The world's sympathy moves
me deeply. Yet I hear echoes dying into silence: the world averting its
attention from the Rwanda's screams . . .<BR><BR>Ground Zero is a huge mass
grave. And I think: Bosnia. Uganda.<BR><BR>More than 5400 people are missing and
presumed dead (not even counting the Washington and Pennsylvania deaths). The TV
anchors choke up: civilians, they say, my god, civilians. And I see
ghosts. Hiroshima. Nagasaki. Dresden. Vietnam.<BR><BR>I watch the
mask-covered mouths and noses on the street turn into the faces of Tokyo
citizens who wear such masks every day against toxic pollution. I watch the
scared eyes become the fearful eyes of women forced to wear the hajib or chodor
or burka against their will . . . I stare at the missing posters' photos and
think of the Mothers of the Disappeared. And I see the ghosts of other faces. In
photographs on the walls of Holocaust museums. In newspaper clippings from
Haiti. In chronicles from Cambodia .. . .<BR><BR>I worry for people who've lost
their homes near the site, though I see how superbly social-service agencies are
trying to meet their immediate and longer-term needs. But I see ghosts: the
perpetually homeless who sleep on city streets, whose needs are never addressed.
. . .<BR><BR>I watch normally unflappable New Yorkers flinch at loud noises,
parents panic when their kids are late from school. And I see my Israeli
feminist friends like Yvonne, who've lived with this dread for decades and still
(even yesterday) stubbornly issue petitions insisting on peace. . .<BR><BR>I
watch sophisticates sob openly in the street, people who've lost workplaces, who
don't know where their next paycheck will come from, who fear a contaminated
water or food supply, who are afraid for their sons in the army, who are
unnerved by security checkpoints, who are in mourning, who feel wounded,
humiliated, outraged. And I see my friends like Zuhirai in the refugee camps of
Gaza or West Bank, Palestinian women who have lived in precisely that emotional
condition--for four generations.<BR><BR>Last weekend, many Manhattanites left
town to visit concerned families, try to normalize, get away for a break. As
they streamed out of the city, I saw ghosts of other travelers: hundreds of
thousands of Afghan refugees streaming toward their country's borders in what is
to them habitual terror, trying to escape a drought-sucked country so
war-devastated there's nothing left to bomb, a country with 50,000 disabled
orphans and two million widows whose sole livelihood is begging; where the life
expectancy of men is 42 and women 40; where women hunch in secret whispering
lessons to girl children forbidden to go to school, women who risk death by
beheading--for teaching a child to read.<BR><BR>The ghosts stretch out their
hands. Now you know, they weep, gesturing at the carefree, insulated,
indifferent, golden innocence that was my country's safety, arrogance, and
pride. Why should it take such horror to make you see? the echoes sigh, Oh
please do you finally see?<BR><BR>This is calamity. And opportunity. The United
States--what so many of you call America--could choose now to begin to
understand the world. And join it. Or not.<BR><BR>For now my window still
displays no flag, my lapel sports no red-white and-blue ribbon. Instead, I weep
for a city and a world. Instead, I cling to a different loyalty, affirming my
un-flag, my un-anthem, my un-prayer- the defiant un-pledge of a madwoman who
also had mere words as her only tools in a time of ignorance and carnage,
Virginia Woolf: "As a woman I have no country. As a woman I want no country. As
a woman my country is the whole world."<BR><BR>If this is treason, may I be
worthy of it.<BR><BR>In mourning--and absurd, tenacious hope,<BR><BR><BR>Robin
Morgan<BR>September 18, 2001<BR>New York City<BR><BR><BR></FONT></BODY></HTML>